 |
|


 |
|
 |
 |
 |
 |
|
 |
 |
the Cutting Edge
(56% dark, 52% spontaneous, 27% vulgar) |
your humor style: CLEAN | SPONTANEOUS | DARK
Your humor's mostly innocent and off-the-cuff, but somehow there's something slightly menacing about you. Part of your humor is making people a little uncomfortable, even if the things you say aren't in and of themselves confrontational. You probably have a very dry delivery, or are seriously over-the-top. Your type is the most likely to appreciate a good insult and/or broken bone and/or very very fat person dancing.
PEOPLE LIKE YOU: David Letterman - John Belushi |
|
My test tracked 3 variables How you compared to other people your age and gender:
|
You scored higher than 56% on dark |
|
You scored higher than 81% on spontaneous |
|
You scored higher than 43% on vulgar |
|
|
 |
 |
 |
 |
|
 |
 |



 |
|
 |
 |
 |
 |
|
 |
 |
http://pitchforkmedia.com/record-reviews/w/weezer/make-believe.shtmlWow. A 0.4 out of 10. I guess they got the same copy of the record Kara and I did. The introductory paragraphs say it all... "If you're one of those poor souls who while away the day job by keeping a scorecard of music review sites, there's one thing you already know: There are two distinct groups of bad albums. The more prevalent kind is the fodder that fills a critic's mailbox, bands with awkward names and laser-printed cover art that don't inspire ire so much as pity. The second group is more treacherous: Bands that yield high expectations due to past achievements, yet, for one reason or another, wipe out like "The Wide World of Sports"' agony-of-defeat skier. Often, these albums are bombarded with website tomatoes for reasons you can't necessarily hear through speakers: the band changes their sound and image to court a new crossover audience, perhaps, or attempts a mid-career shift into ill-advised territory. Or maybe they start writing songs about Moses in hip-hop slang. But sometimes the bad album in question is none of the above; it doesn't offend anyone's delicate scene-politics sensibilities or try to rewrite a once-successful formula in unfortunate ways. Sometimes an album is just awful. Make Believe is one of those albums." Later on , he even starts to question why he ever liked Weezer to begin with. "Hearing a song like "We Are All on Drugs", which nicks the classic melody of the schoolyard "Diarrhea" song (you know, "when you're sliding into first..." and so on) for an anti-drug message stiffer than Nancy Reagan's "Diff'rent Strokes" cameo, it calls into question whether The Blue Album was really that great, or whether it just stood out as a rare beacon of guitar pop in a grunge-obsessed era." Glad to see we're not crazy, and someone else is just as repulsed by Make Believe as we are.
|
 |
 |
 |
 |
|
 |
 |

|
 |
|
 |